Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of Israel Silvestre 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
48521 Detail of the flower garden at Vaux-le-Vicomte Israel Silvestre Detail of the flower garden at Vaux-le-Vicomte mk190 1665
92092 Portrait of Elzbieta Helena Sieniawska in male coat delia Israel Silvestre Portrait of Elzbieta Helena Sieniawska in male coat delia 1720(1720) Medium oil on canvas Dimensions 129 X 160 cm (50.8 X 63 in) cyf
83042 Portrait of Maria Josepha of Austria Israel Silvestre Portrait of Maria Josepha of Austria Date 1719 cyf
48546 Rueil,the Grande Cascade Israel Silvestre Rueil,the Grande Cascade mk190 1661

Israel Silvestre
French Baroque Era Engraver, 1621-1691,called the Younger to distinguish him from his father, was a prolific French draftsman, etcher and print dealer who specialized in topographical views and perspectives of famous buildings. Orphaned at an early age, he was taken in by his uncle in Paris, Israel Henriet, an etcher and printseller, and friend of Callot. Between 1630 and 1650 Silvestre travelled widely in France and Italy, which he visited three times, and later worked up his sketches as etchings, which were sold singly and in series. His work, especially of Venetian subjects published in the 1660s, influenced eighteenth-century painters of vedute such as Luca Carlevaris and Canaletto, who adapted his compositions. In 1661 he inherited the stock of plates of his uncle, the printseller Israel Henriet, among which was a large part of the works of Jacques Callot, and many of those of Stefano della Bella. In 1662 he was appointed dessinateur et graveur du Roi and in 1673 he was appointed drawing-master to Louis, le Grand Dauphin. From 1668 he was granted workshop space in the galleries of the Louvre, where the practice of housing eminent artists and craftsmen was a tradition that was originated under Henri IV. Silvestre's atelier was large: he had at least two pupils who had careers as engravers, Franqois Noblesse and Meunier, and In 1670 Charles Le Brun recommended him for membership in the Acadeemie royale de peinture et de sculpture. In 1675 his son, the artist Louis Silvestre, was born at Sceaux.
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